Archivo: History of mediæval art (1893) (14593877190)

Descripción: Identifier: historyofmedival00rebe (find matches) Title: History of mediæval art Year: 1893 (1890s) Authors: Reber, Franz von, 1834-1919 Clarke, Joseph Thacher, d. 1920 Subjects: Art, Medieval Publisher: New York : Harper & Bros. Contributing Library: Boston Public Library Digitizing Sponsor: Boston Public Library View Book Page: Book Viewer About This Book: Catalog Entry View All Images: All Images From Book Click here to view book online to see this illustration in context in a browseable online version of this book. Text Appearing Before Image: al at Granada, which alone has been pre-served, is remarkable for its regular arrangement of emblems andcoats of arms; a similar ornamentation appears also in the interiorof the votive Church of San Juan de los Reyes at Toledo, and inthe beautiful cloistered court connected with it. A great number of Gothic palaces, convents, hospitals, anddwelling-houses are still preserved in Burgos, Valladolid, Toledo,Valencia, Barcelona, and other towns. Fine examples of decora-tion are the portal of the Convent of S. Gregorio at Valladolid, andthose of the hospitals Casa del Nuncio and S. Cruz at Toledo, etc.Several high-altar pieces are similar in character to the before-men-tioned fagades; their frames and panels show reminiscences of the SPAIN. 58/ Byzantine and Romanic metal-work, from the Pala dOro down tothe bronze gates of Germany. The architectural structure, how-ever, which is the chief feature of the corresponding German worksis here of subordinate importance. A number of Gothic funeral Text Appearing After Image: Fig. 374.—Fagade of S. Pablo in Valladolid. monuments, particularly the royal sarcophagi in the Cartuja deMiraflores near Burgos, are of great magnificence, being scarcelyinferior in elaboration to the tombs of the Burgundian dukes inDijon. It was not until late in the Gothic period that Portugal began 588 THE EXTENSION OF GOTHIC ARCHITECTURE. to emulate Spain in artistic activity. The fine Convent of Batalha,commenced in 1390, does not, however, exhibit any great individu-ality, although the forms are more full and flowing,—a difference incharacter corresponding to that between the Portuguese and Span-ish languages. In both countries the Moorish influence is noticea-ble in the frequent employment of the horseshoe and cusped arch-es, the arabesque traceries, etc. In general, the later Gothic of thepeninsula is characterized by a luxurious overgrowth, this being es-pecially manifest in the superabundant curled ornamentation of thecapitals, in the heavy crockets and finials, console Note About Images Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Título: History of mediæval art (1893) (14593877190)
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